"For three long years, Josh and Hilary dated, until they both mutually agreed that it was a terrible, terrible idea. Now these "just friends" are back, and they're podcasting together. Look out world. This… is the Ex Factor." |
The premise for the series I came up with was this: Two people who used to date for a non-trivial amount of time broke up, but together they produce a weekly comedy podcast together. It ties together a lot of the things I like to write about. It's a "backstage" piece, and I find myself writing about people who are involved in some sort of media or art quite a lot. The premise of Exes having to work together leads to scenes of social awkwardness galore, and broken "bad first date" type of dialogue is something I like writing. Finally, it's about podcasting, which is something I've been more or less obsessed with since I got an iPod. First the iPod was all about music, but eventually it's now all about podcasts. It's a curiously intimate thing, having strangers chat in your ears for hours at a time about whatever you're interested in. The question that comes to mind is: Who does that? Who does all the work it takes to put together a podcast, especially if you're not doing it for money. And why?
That was the thinking that went toward writing The Ex-Factor. I created the two lead roles to answer that question for me. Josh, the guy who does most of the work behind making the podcast, who seems to do it to keep close with Hilary, his Ex. He's really good at hosting the podcast as he's an improv comedian who can keep the banter going. Hilary plays the podcast sidekick, and unlike Josh she has fewer creative outlets as she's stuck in her dead end job, so she's on the podcast to flex her creative muscles not quite realizing the size of the torch that Josh still carries. Over the course of the series I play with their relationship in various ways. They're good at making amusing podcasts, but every once in a while something goes awry.
I wanted a specific tone for the web series, as many of the ones I've seen seem to go for the wackiness as a first resort. I don't mind the "slam cut to something ironic" style of comedy, it's just that it seems to be overused. I wanted to have all of the comedy of the show to be derived from the relationship between the main characters. I wanted to establish who they are and then smash different problems and situations against that relationship and see what happened. It resulted in two really interesting characters that get fully explored over the course of the series.
After I got the writing done, I started showing this to people and got a very positive reaction. I pursued making this with one friend of mine, and we got quite a ways toward actually going forth with it, but finances caused this friend to pull out of the project last fall. I then took the project to the folks at Malarkey Films, whom I had just worked with for the 2010 National Film Challenge to see if they were interested, and after some discussion on their part they decided to take it on. It's interesting to go through the process with different parties as they have different perspectives on the material. Some things that were crucial details to one group were totally inconsequential to the other. It really shows how collaborative filmmaking is, and why "Making Of" commentary tracks exist.
So, this is the Ex Factor. We're holding auditions on April 3rd, and if all goes well we'll be filming this summer. Stay tuned.
No comments:
Post a Comment